The Harold Clurman Lab Theater Presents
By Anton Chekhov, adapted by Royston Coppenger
Directed by John Gould Rubin
Dorn……………J. Steven White
Masha…………Chloe Fineman (NYU class of 2011)
Medviedenko…………Stephen Dexter (Conservatory class of 2012)
Nina……………Sarah Wharton (NYU Class of 2010)
Shamraeff…………Fakeer (Evening Conservatory Class of 2006)
Treplieff…………Tommy Nelms (NYU Class of 2010)
Jacov……………………… Julian Conde
Assistant Director: Aurora Hicks Beach
Scenic Designer: Andreea Mincic
Costume Designer: Debbi Hobson
Lighting Designer: Isabella Byrd
Sound Designers: Iggy Hung, Kwai-Fai Lam
Properties Manager: Jeena Yoon
Stage Manager: Cynthia Vazquez
Stella Adler Studio of Acting production team
Artistic Director: Tom Oppenheim
Company Manger: J. Steven White
Director of Cultural Programming: Nina Capelli Oppenheim
Marketing and Cultural Events Manager: Ryan Chittaphong
Production Manager: Robert Sweetnam
Technical Director: Libby Jensen
Assoc. Technical Director: Forrest Leo
About the Lab Theater
The Harold Clurman Laboratory Theater Company grew out of a feeling that the time had come for the Stella Adler Studio of Acting to produce, or reproduce, its spirit, voice and theatrical sensibilities on a professional level. The mission of the Lab Theater is to produce theater committed to the standards and ideals set out by Stella Adler, Harold Clurman and the Group Theater. It serves as a launching pad for its students and an artistic home for its faculty to grow and evolve. It also includes actors, directors, and designers from outside the immediate Adler community who share our humanistic impulse and vision.
Questions regarding the Harold Clurman Laboratory Theater Company can be directed to J. Steven White, Line Producer, at 212-689-0087 X 41 or by email at email@example.com.
Mercy Killers written and performed by Michael Milligan.
The Empty Ocean by Anton Dudley, directed by Stephen Brackett*
Clifford Odet’s Waiting for Lefty, directed by Don K. Williams.
-Special performance at Occupy Town Square, Brooklyn, NY
HIKOBAE by Itaru Era, directed by Ryosei Kajiwara
-Presented with the Actors’ Clinic of Tokyo
-at the Alvin Ailey Theater, the UN, and Tokyo and Soma City, Japan.
Imagining Heschel by Colin Greer, directed by Tom Oppenheim.
Lebensraum by Israel Horovitz, directed by Don K. Williams. Off-Broadway Transfer
Presented at the Abingdon Theatre Company.
In Los Angeles: Clifford Odet’s Waiting for Lefty, directed by Don K. Williams***
***Backstage Critic’s Pick, LA Weekly’s GO!
World Premiere of Sacred Ground by Christina Gorman, directed by Shelley Butler.
As You Like It by William Shakespeare, directed by Tom Oppenheim with Steve Cook.
Lebensraum by Israel Horovitz, directed by Don K. Williams.
East Coast Premiere of Long Way Go Down by Zayd Dohrn, directed by Jaime Castaneda
A reading of Antigone by Sophocles, translated by Peter Meineck and Paul Woodruff
World Premiere of Songs and Statues, by Peter Nickowitz
Our Town by Thornton Wilder, directed by Tom Oppenheim
World Premiere of What Shall I Give My Children? By Don K. Williams, directed by Tom Oppenheim
Two Rooms, by Lee Blessing, directed by Tom Oppenheim
A reading of Los Muertos, by Tim McNeil
World Premiere of It Takes a Life, written and performed by Elizabeth Parrish
World Premiere of From Elizabeth to Betsy, written and performed by Elizabeth Parrish
A reading of Dorothy Parker Gets the Last Word by Ellen M. Violett
World Premiere of Calacas, written and performed by Robert Collier Sublett
Betrayal, by Harold Pinter, directed by Don K. Williams, presented in conjunction with Theater 1050
World Premiere of Visions and Voices, a series of three new plays
World Premiere of Rode Hard and Put Away Wet, written and performed by June Raphael and Casey Wilson
World Premiere of Downloaded and in Denial, written and performed by Cynthia Adler
World Premiere of Moments of Being with Betsy, written and performed by Elizabeth Parrish
Macbeth, by William Shakespeare
World Premiere of Sister Calling My Name, a new play by Buzz McLaughlin, directed by Kent Paul.